• Labyrinths.

    Writing Aside #22.
    About five years ago, during a particularly manic phase of my life, we built a big labyrinth behind our house, using only branches and the occasional log. After I laid out each of the 11 basic circles, Wendy would build them up and gently point out minor errors in my design—like how a curve should go behind a particular tree instead in front, or that my idea of true north was wrong on both counts.
         A labyrinth guides you to its center and back out along a clearly define path. Whereas a maze throws you in there and wishes you luck. I actually don’t enjoy walking either. The predictability of labyrinths bores me—even pacing a floor has more room for improvisation. While mazes make me claustrophobic.
         So I rarely walk ours. After a turn or two, I start picking up newly-fallen branches and using them to define borders that are slowly composting themselves back to earth. But, after a snowstorm, I’m eager to see if I can “find” it under the windblown snow.
         The morning after our 20” the other day, I began following the barely detectable curving ridges, tripping over metaphors with virtually every step. Most people find walking labyrinths an opportunity for quiet contemplation. But I gave up on that a long time ago. By the time I completed about 3/4 of the circuits, I had at least three essays outlined in my head, one of which was virtually written.
        Then I lost it. I had somehow meandered from circle three to circle four, screwing both of them up in the process. I retraced my steps. Hopped over to a circuit I recognized further along and tried to work my way back. Hopeless. Not only had I lost the true path, I’d lost all three essays.
        I went back in the house to have lunch. But couldn’t sit still. So I went back out, diagram in one hand, shovel in the other. Eventually, I figured out where I’d gone wrong. Slowly, step-by-step, inch-by-inch, I tramped the true path and smoothed the broken borders, until the words I knew were there emerged from their snowy oblivion.

    Jan
    14
    2011

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Dave, Inc.

I'm currently working on several writing projects. (We used to call writing projects "books," but it's not that clear these days.)

Real Time started ten years ago when historical characters began appearing in the midst of my everyday life and giving me a piece of their minds. Book 1 is finished. Book 2 is drafted. And Book 3 is rolling around in my imagination. We're about to publish a monograph with several selections from the book, along with an original essay by documentary filmmaker Ken Burns.

The Secret Life of Carrots, which is written by the God of Carrots (of all "people") slices and dices its way through conventional human perspectives on everything from life underground and nutrition to stem-cell research and reincarnation.

David's Inferno is a look back at my two-year experience of depression + dysphoric-mania between 2005 and 2007. It's neither manic nor dysphoric…and usually not depressing either. In fact, some posts are are actually kind of amusing. It's inspired by William Styron's brilliant Darkness Visible.

I'm also writing The Power of Not Now in which a dying man “confesses” that he is the Buddha and proceeds to gleefully and irreverently deconstruct the author’s assumptions about relationships, war, spirituality, and more.

Mad Liberation is about a young woman who struggles to understand the fundamental stories we all share—about money, relationship, morality, etc.—and how we could start telling new ones.

And there are these Writing Asides, about all the things that writers do and/or think about when they "should" be writing.


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